
Eugene Kotlyarenko has built a career on drawing upon his widely-viewed cinephilic base of knowledge to consider more contemporary forms of hyper-online, of-the-moment provocation, and “Vintage Violence” is no exception. As with Kotlyarenko’s arguably best-known film, 2020’s “Spree,” live-streaming is key: “Vintage Violence” introduces obnoxious social media celebrity Carter (Cole Sprouse) mid-stream before quickly spinning […]
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