
Director Ilya Khrzhanovsky's massive cinematic project, DAU, continues to generate discussion years after its initial festival premiere. Despite limited commercial distribution and mixed early reactions following its Berlin debut, interest in the expansive historical experiment persists.
More than six years after Ilya Khrzhanovsky premiered “DAU. Natasha” and “DAU. Degeneration” at the Berlin Film Festival — right before the global COVID lockdown — to a politely muted reception and limited distributor interest, you might think the moment has passed for another missive from the DAU Cinematic Universe. Turns out, however, that you […]
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